“The guy sitting next to me was like ‘Jesus Christ, that was terrible,’” he says.
Drummer and producer Zach Sch joined in 2017 after seeing them perform at a gallery. Over the past decade or so, the bass-and-guitar duo has expanded to a collective that has explored sounds from noise rock to sound collage, alienating promoters and befuddling music journalists with their disregard for genre categories and multiple “ debut” albums. “We bonded over American Primitivism and binged prog stuff like King Crimson and Van der Graaf Generator.” Naturally, they grew along with their music taste: “Vũ went from a Swiftie to a đàn tranh collector,” says Đỗ. We talked about recording flute kites in Northern Vietnam, we talked a lot about experimental sounds, and then we became a band.” The two were barely old enough to have accounts for the platform on which they met. “I was a fan of Coldplay, and I posted Radiohead and Squarepusher on Coldplay Vietnam to see if anyone was interested,” says Đỗ Tấn Sĩ, bassist and founder of Rắn Cạp Đuôi. Well-versed in the Western underground canon via and /mu/, these zoomers are initiating a wave of energy in Vietnam’s music scene.īut it was on Facebook-in a Coldplay fan group-that one of the current scene’s leading collectives first took shape. Just as Soulseek influenced music enthusiasts across Asia in the 2000s, the diverse music communities on the Web have given rise to a new vanguard of young musicians in Vietnam today. Search all Bandcamp artists, tracks, and albums Id give it 10 stars if I could.Try a different filter or a new search keyword. If you are a fan of rock, punk, metal, or any kind of music, I don't see how you wouldnt love this album. Anyway, this is a perfect place to start if you want to get into Hanoi Rocks. 'Fallen Star' is a great ballad to close out the album, you can really feel the emotion in monroe's voice. Thats almost every song, the songs I didnt mention are also very good, but these songs are unreal. The highlights of the album include 'Motorvatin', 'Teenangels outsiders', 'Visitor', 'Dont follow me', 'Devil Woman', 'lightning bar blues', 'Oriental beat', and 'fallen star'.
You can tell that Slash and Izzy must have listened to these guys a lot as you can hear shades of 'Appetite for Destruction' in the guitar playing. But believe me, they are 10 times better than any 70s punk bands or 80s hairbands, except for maybe GnR, who they influenced a great deal. Soundwise, these guys are a direct cross between the 70s punk scene, and the 80s hairbands. Monroe is a great saxophone player, as he belts out awesome solos throughout. These guys just have great style, and the music just flows so smoothly, every song is incredibly catchy, and the lyrics are so much fun. This album is now one of my favorite CDs of all time, and I own almost 500. It was only like $4.99 used so I figured what the hey, and I bought it, not really expecting that much.
Being a fan of the 80s hair bands I was drawn to the cover because it showed the band looking all tattooed and scruffy, with their big hair. It started about 2 years ago when I was looking for something to buy at a used CD store, and the cover caught my eye. "This album was my first introduction to Hanoi Rocks, and I had never heard of the band before, as I was only about 5 when Razzle was killed and they disbanded.
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